T-01
Contribution & video transport
Uncompressed SMPTE ST 2110 inside the facility, JPEG XS where the circuit will not take a full essence flow, SRT or RIST when the path crosses the public internet. The transport is chosen per feed and per risk, not fixed by the contract, and every path is handed over with its redundancy documented.
T-02
Remote production (REMI)
Cameras, microphones and comms stay at the venue; gallery, replay and graphics stay in your facility. We engineer the PTP timing domain, the multicast plan, the return video and the talkback so operators work as if they were on site — with a fraction of the crew travelling.
T-03
Master control & NOC
Staffed master control for ingest, switching, branding and distribution, sitting on top of a network operations centre that watches the transport underneath it. One team sees both the picture and the network, so a fault is diagnosed once instead of being passed between two suppliers.
T-04
OB & flyaway
Mobile control rooms for scheduled productions, flyaway kits for venues with no infrastructure at all. Cases, uplink, power distribution and comms travel as one package against a rig plan agreed before anything leaves the warehouse — and de-rig is part of that plan, not an afterthought.
T-05
Satellite & fibre contribution
DSNG vehicles and teleport access across Ka, Ku and C-band for places fibre cannot reach; managed fibre contribution where it can. The two are engineered as one service, so satellite can stand as the diverse path behind the fibre — or the other way round when the venue is remote.
T-06
Playout & headend
Cloud and on-prem playout, channel-in-a-box, scheduling, dynamic ad insertion, multi-language subtitling and audio description. Playlists, branding and compliance recording run inside the same operational chain that carries the contribution feed, under the same master control.
T-07
OTT & CDN delivery
Multi-codec ingest, HLS and DASH packaging, DRM (Widevine, FairPlay) and low-latency live streaming. Origin, packaging and edge delivery are monitored as one path, so a complaint from the player side can be traced back to the segment that caused it rather than argued about.
T-08
Media asset management
Cloud MAM, cold archive, metadata indexing and on-demand restore across live and file-based workflows. What goes to air is catalogued as it happens rather than reconstructed months later, which is the difference between an archive and a pile of drives.
T-09
Signal monitoring
Continuous probing of every feed we carry: video and audio presence, levels and loudness, subtitle and timing integrity, transport errors and path health. Alarms land in master control, where someone is already looking at the picture the alarm refers to.